Screenwriter / writer-director · Atlanta

ChristopherShank.

Different stories.
Same handwriting.

I write movies about people who cannot accept what has already happened to them and make the very human mistake of believing there must still be something they can do about it.

There usually isn’t.
They do it anyway.

Selected work.

Four completed screenplays, chosen from a wider front shelf each time you visit.

See all work →
FEATURE / SUPERNATURAL REVENGE HORROR

NOBODY LEAVES

After his brother’s funeral, a young man’s drunken choices set off a chain of events that ends in a woman’s death — and her haunting has no interest in forgiving him. His punishment is not death or escape. He has to survive the consequences.

FEATURE / PERIOD COMING-OF-AGE DRAMA / MILITARY DRAMA

THE RESERVIST

A punk Army Reservist ordered to deploy to Iraq seeks guidance from his active-duty younger brother; when the brother is killed in action, he prepares to disappear under a fake identity but must decide whether refusing the war means abandoning everyone who still loves him.

FEATURE / SOCIAL THRILLER / DRAMA

HERE FOR THIS

A broke Atlanta couple take over a murdered Black hardware owner’s storefront to launch a vintage shop, then uncover a gentrification scheme linking their benefactor to the killing — and turn their business into a public trap before the town erases them too.

FEATURE / SOUTHERN GOTHIC FANTASY / FAMILY DRAMA

KING OF THE DEAD

A lonely repairman discovers a door where the dead can be reclaimed at the cost of twenty-five living years per hour; after bringing four family members back, he spends a lifetime trying to defeat the one loss the bargain cannot undo.

Night road seen through a car windshield

Making now / short film

Keep Driving

A depressed Atlanta rideshare driver accepts a lucrative late-night fare into rural Georgia. When the signal dies and he realizes his passenger intends to die at the destination, keeping the stranger alive means admitting that he needs help too.

  • SCRIPT LOCKED
  • PRODUCTION DEVELOPMENT
  • 17–20 MINUTES
  • GEORGIA / CONTAINED NIGHT SHOOT
Follow the film →

On the desk.

Three screenplays being drafted. Seven features moving into development. A few of them here at a time; all of them on Work.

See what I’m working on →
  1. 22

    ATHEISTMAS

    When a solitary atheist becomes dangerously ill days before Christmas, he must decide whether life’s impermanence makes connection meaningless — or urgent.

    CURRENT DRAFT: 86 PAGES
  2. 23

    AGAIN

    Forty-eight hours before cameras roll on his first feature, Eli discovers a hole in the financing and begins borrowing, lying, forging, stealing and counterfeiting his wife’s consent to keep the movie alive — only to learn that the money cleared exactly as promised.

    CURRENT DRAFT: 94 PAGES
  3. 24

    LOSING MY EDGE

    Before LCD Soundsystem became the coolest band in the room, James Murphy spent years convinced the room had already moved on without him.

    CURRENT DRAFT: 99 PAGES
  1. 25

    ALL LINES

    Every subway system on Earth suddenly begins delivering trains to the same impossible underground station. A transit maintenance worker enters the network looking for his missing son as governments struggle to understand a place that should not exist.

    EVENT THRILLER / SCIENCE FICTION
  2. 26

    UNTIL SUNSET

    For one day, every dead person on Earth comes back. Not as zombies. Not to attack anyone. They simply return — and disappear again at sunset.

    SUPERNATURAL EVENT DRAMA
  3. 27

    PAST DUE

    The rise of the American shopping mall was built on a bargain nobody remembers. Now the malls are dying, the bargain is coming due, and the abandoned buildings have begun collecting what they are owed.

    SUPERNATURAL HORROR / EVENT HORROR
All seven in development →

Selected Journal

A few things I still like.

Read the Journal →

11 selected
placements.

Some scripts have done well in rooms I was not in. Every one is on the record at the exact round it reached.

Want to read something, make something, hire me, interview me, or tell me exactly where I got something wrong?

Contact.